entertainment - Uma visão geral
entertainment - Uma visão geral
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Ticket for the execution of Jonathan Wild (1725) Although most forms of entertainment have evolved and continued over time, some once-popular forms are pelo longer as acceptable. For example, during earlier centuries in Europe, watching or participating in the punishment of criminals or social outcasts was an accepted and popular form of entertainment. Many forms of public humiliation also offered local entertainment in the past. Even capital punishment such as hanging and beheading, offered to the public as a warning, were also regarded partly as entertainment.
Parades are held for a range of purposes, often more than one. Whether their mood is sombre or festive, being public events that are designed to attract attention and activities that necessarily divert normal traffic, parades have a clear entertainment value to their audiences. Cavalcades and the modern variant, the motorcade, are examples of public processions.
The power of stories to entertain is evident in one of the most famous ones – Scheherazade – a story in the Persian professional storytelling tradition, of a woman who saves her own life by telling stories.[94][95][96] The connections between the different types of entertainment are shown by the way that stories like this inspire a retelling in another medium, such as music, film or games.
Stage magic is performed for an audience in a variety of media and locations: on stage, on television, in the street, and live at parties or events. It is often combined with other forms of entertainment, such as comedy or music and showmanship is often an essential part of magic performances.
1888 wax cylinder recording of composer Arthur Sullivan speaking about his reaction to Thomas Edison's invention of the phonograph.
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Court ceremonies, palace banquets and the spectacles associated with them, have been used not only to entertain but also to demonstrate wealth and power. Such events reinforce the relationship between ruler and ruled; between those with power and those without, serving to "dramatise the differences between ordinary families and that of the ruler".[34] This is the case as much as for traditional courts as it is for contemporary ceremonials, such as the Hong Kong handover ceremony in 1997, at which an array of entertainments (including a banquet, a parade, fireworks, a festival performance and an art spectacle) were put to the service of highlighting a change in political power.
M. Night Shyamalan has been at least partly self-financing his films since 2015’s “The Visit,” risking his own money on box office success. His latest is “Trap,” starring Josh Hartnett as a father with a secret and Shyamalan’s daughter Saleka as a pop star whose concert is surrounded by police looking to capture a serial killer.
The skill of managing, organising and preparing the stage for a performance is known as stagecraft. The audience's experience of the entertainment is affected by their expectations, the stagecraft, the type of stage, and the type and standard of seating provided. Theatrical entertainment – stages, staging and stagecraft
Founded in 1680 under Louis XIV, this state-run theatre bases its repertoire on the works of classic French playwrights. The theatre has its roots in an…
Parades generally impress and delight often by including unusual, colourful costumes. Sometimes they also commemorate or celebrate. Sometimes they have a serious purpose, such as when the context is military, when the intention is sometimes to intimidate; or religious, when the audience might participate or have a role to play.
Named after Le Lapin à Gill, a mural of a rabbit jumping out of a cooking pot by caricaturist André Gill, which can still be seen on the western exterior…
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Since dance is often "associated with the female body and women's experiences",[123] female dancers, who dance to entertain, have in some cases been regarded as distinct from "decent" women because they "use their bodies to make a living instead of hiding them as much as possible".[131] Society's attitudes to female dancers depend on the culture, its history and the entertainment industry itself.